The virtuoso pianist and composer Antonio Ruiz Pipó was born in Tagged: Antonio Ruiz Pipo, classical, Drop D, guitar pro, midi, sheet music. I wonder if anyone could confirm or suggest the best (pima) fingering for the third measure of this piece? Specifically the G of the melody in the. Results for Estancias Ruiz-Pipo (not all results may be relevant). Submitted by Anonymous (not verified) on See also. Estancias: guitar.
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In addition to your advice this also seems to be implied by the fingering notes on the music itself. I just need to work on speed and clarity! Key of D minor.
I pluck the “G” between the A ajtonio F with my A finger because I find it more natural, in a ruix that “G” is so short followed by “F ” playing both with “M” is too much for me at tempo. From Wikipedia, the free encyclopedia.
Yepes’ right hand fingerings do not seem intuitive, which leads to the conclusion that using an i-a combination would be easier and better. Retrieved from ” https: Would a be a better choice?
Fingering for Danza, Antonio Ruiz Pipo – Classical Guitar
Views Read Edit View history. His music is consistently tonal, his treatment and harmonization of his thematic material often deceptively simple-sounding is sophisticated, and he revels in sharp contrasts of mood and color. Leave a Reply Cancel reply Your email address will not be published.
I mean, it was a legit facsimile with hard covers bought and the store and all but antonlo score was handwritten.
His music is consistently tonal, his treatment and harmonization of his thematic material often deceptively simple-sounding is sophisticated, and he revels in sharp contrasts of mood and colour. But, no matter what fingering you use–and this is the most important thing with this particular piece–it will take a lot of slow practice and a lot of patience to bring it up to speed.
Board index All times are UTC. In other words I play exactly as annotated in the above example. Please consider supporting us by disabling your ad blocker on our website.
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CANCION Y DANZA NO 1 INTERACTIVE TAB by Antonio Ruiz Pipo @
Please help improve this article by adding citations to reliable sources. When I first learned this piece I remember struggling with it as well. Our website is made possible by displaying online advertisements to our visitors.
I think that you will agree that you will be able to finesse and shape the melodic line a little bit more if you use the m finger. On the side note, when I originally bought the score it was a photo copy of a hand written score.
Anyone else seen or knows about that? Everything on the website is free, but we won’t say no to a small donation, to keep it going, and to make it even better. Donate Everything on the website is free, but we won’t say no to a small donation, to huitar it going, and to make it even better.
He partnered with his longtime friend the violinist Serge Blanc in duos, trios, and quartets with piano with whom he toured within France, Spain and many other countries.
December Learn how and when to remove this template message. This is a difficult piece; just be very patient with in when trying to achieve speed and antoonio will come in time. In his youth he played the guitar a little and this provided him with a working knowledge of the instrument, for which he wrote numerous works. I was keen to learn fingering that I could take up to speed. He studied the pioo with Alicia de Larrocha and composition with Salvador Bacarisse and pipoo.
Discussions relating to the classical guitar which don’t fit elsewhere. Personally, I think i-a would perhaps work just as well.
The clincher was simply playing the melody line on its own and at tempo, with both options. This article needs additional citations for verification. I do also believe that you can bring the melodic line out better with the m finger, as suggested, because you can bring a little more torque to bear on it naturally to my ears, the melodic line sounds a bit one-dimensional when I use the a finger.
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Notify me of followup comments via e-mail. He studied the piano with Alicia de Larrocha and composition with Salvador Bacarisse and others. It seems a bit fast to use m throughout the whole melody line in measures ?